Semion Krivenko-Adamov is a modern composer, philosopher and expert in the field of art. He has written music for many TV series, documentaries and short films. Genres in which the composer writes: modern classical, minimalism and film music.
Author of 9 instrumental albums:
• «Above the Clouds» (2017)
• «Black Roses» (2018)
• «Butterfly Without Wings» (2019)
• «Golden Blood» (2020)
• «Angels Watch it Crying» (2020)
• «Love Is Stronger Than Death» (2021)
• «The Higher Worlds» (2023)
• «Hyperborea» (2024)
• «Games of the Gods» (2025)
This official channel publishes premieres of new works, official videos, media interviews, news and video messages.
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Semion Krivenko-Adamov
Premiere!
The single «The Golden City» is a musical embodiment of an ancient symbol from the pages of the New Testament of the Bible.
For me, the Golden City is the core of the Golden Universe, illuminated by rays of Divine Light. The music conveys the peace and bliss of a soaring soul that has fulfilled its earthly purpose.
As a creative person, I am inspired by vivid images, but I also believe that a harmonious, happy, and beautiful world can be achieved not only in heaven but also on earth.
5 days ago (edited) | [YT] | 1
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Semion Krivenko-Adamov
Four years together! ❤
1 week ago | [YT] | 2
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Semion Krivenko-Adamov
Just recently, music seemed to mystically flow within me, recognizing it as a call for help from my native Artemovsk. As the creative process progressed, I felt a growing sense of urgent social need and came across media publications. After numerous promises to restore the city, they suddenly began to suggest that this was very difficult and unnecessary.
To prevent this inaction, I wrote an article (in Russian) recalling the historical, cultural, and political significance of Artemovsk and also putting forward the idea of an alternative name that would reflect all the milestones of the city's history. I recommend the article not only to residents of the Donbas but to everyone, as it discusses the principles of expanding the Russian World.
The official premiere of the single «Artemovsk-Bakhmut» will take place in July-August, but you can already listen to it exclusively in the article «Why is the restoration of Artemovsk important for the Donbas and Russia?».
I invite you to read!
dzen.ru/a/aiEspHjBiEdgUzDU
2 weeks ago | [YT] | 3
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Semion Krivenko-Adamov
Summer is just around the corner! And to make your vacation even more enjoyable, listen to my summer music collection.
3 weeks ago | [YT] | 2
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Semion Krivenko-Adamov
Just as in running, one can find a second wind and, with a burst of energy, overcome a distance, so in creativity, by entering the right egregor and correctly processing information, one can consistently produce influential and unique works.
Even more powerful creativity results from divine inspiration, since in this process, the artist feels a connection to the higher realm, experiencing incomparable joy.
In this regard, I would like to ask adherents of so-called «modern creative methods», including those seeking commercial success and the operators of AI mills:
Does such «creativity» bring the greatest joy and enrich you?
4 weeks ago | [YT] | 4
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Semion Krivenko-Adamov
I love walking the streets of Moscow in May.
1 month ago | [YT] | 2
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Semion Krivenko-Adamov
Happy Great Holiday! Happy Great Victory!
1 month ago | [YT] | 2
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Semion Krivenko-Adamov
Art, like nothing else, strengthens religions, philosophies, and teachings.
1 month ago | [YT] | 2
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Semion Krivenko-Adamov
Divine inspiration (Russian: Боговдохновенность) is a term used in a narrow semantic context, primarily in theological texts. It denotes God's influence on the authors of scripture, allowing them to convey His revelation.
But can an artist be divinely inspired, conveying divine images and ideas through strings, brush, or pen? Of course, it is possible, and even necessary. It is precisely such artists, having risen to the level of a transcendental reality, transcending the conventions and boundaries of this world, who were able to create works of eternity, thereby inscribing their names in history.
Our technological age, however, strives to displace fundamental concepts from creative consciousness, pushing the artist down the wrong path.
1 month ago | [YT] | 2
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Semion Krivenko-Adamov
My initial assumptions about the development of AI in the context of music turned out to be quite accurate. AI music is like cheap IKEA furniture: a standardized mass-produced product designed for the mass, unsophisticated user. Behind the smooth white surface lies sawdust, the remnants of hundreds of composers' «tracks». And while the gap between creator and machine will continue to narrow, great art, in all its depth and complexity, with all manner of hidden meanings, references, and lofty metaphors, will remain the preserve of true masters.
But as I follow developments, I have something to add. Today, the main threat to musicians is not so much AI as humans themselves, or more precisely, the legal and algorithmic regulation of AI content, which is in human hands.
Streaming platforms and social media are seriously tempted to recommend AI content to users at the expense of original creativity. IT giants find it easier to launch their own AI pipelines, which will allow them to avoid paying creators. I'm already seeing the proliferation of «nobodies» — no faces, no names, and mediocre products, but with suspicious regularity and listener statistics. As a result, we're once again experiencing the feuilleton era, but on new technological tracks.
To summarize: despite all of the above, AI is not our enemy, but our friend. Man's greatest enemy is man himself.
P.S. There are no independent media outlets in Russia that adequately cover music industry news. All information projects are literally terrorizing the masses with news about AI, implanting in their minds a global agenda that benefits the main founders and major players.
2 months ago (edited) | [YT] | 2
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